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@TimeBeRealMan 19.02 21:02
today would have been Amit Man’s 25th birthday; a precious human being dedicated to helping people as a paramedic, a gentle soul, a talented singer … may her light be an unstoppable blessing and forever shine as she did in her duet with @Sia
@TimeBeRealMan 18.02 23:04
“being pro-freedom for Iran means being pro-@PahlaviReza in this moment in time” -- @elicalebon
@TimeBeRealMan 18.02 19:53
R to @TimeBeRealMan: I posted the same video & text simultaneously on my X & IG accounts – stats after 16 hours👇... it appears that one SM platform boosts and one SM platform throttles pro-Iranian/anti-islamyc regime content🤔
@TimeBeRealMan 18.02 02:47
“One day in the future, people will read in history books about a nation of people who begged for their own country to be bombed and will forever ask the question, “how did the world not see how bad it was?”” -- @elicalebon
@TimeBeRealMan 17.02 05:53
'Wuthering Heights' is a timeless tale of love so intense & powerful it pierces the veil between life & death; reflected perfectly in the musical tribute to Emily Brontë's only published novel composed & performed by Kate Bush web➡️http://katebush.com
@TimeBeRealMan 17.02 05:30
'Wuthering Heights' is a timeless tale of love so intense & powerful it pierces the veil between life & death; reflected perfectly in the musical tribute to Emily Brontë's only published novel composed & performed by Kate Bush web➡️http://katebush.com
@TimeBeRealMan 16.02 05:45
Arbel Yehoud and Ariel Cunio were kidnapped from their home in Kibbutz Nir Oz on 7th of October 2023. Once in Gaza, they were separated. Arbel spent 482 days in captivity. Ariel spent 738 days in captivity. Now, for the first time, they have spoken not just about their reunion, but also about the painful and heartbreaking conversations they had when they returned, in particular Arbel sharing the story of the sexual abuse she endured in captivity. For 256 days after she returned from hell, she held onto this story in her own heart. I wish them both a beautiful life together, building a home and a family in the land of Israel, their own victory over the monsters who tried to take everything.
@TimeBeRealMan 15.02 06:33
anyone ever Grok-analyze your own posts? no names, only city + M/Y👇@Grok accurately ID’ed George Reeves in the post above, the LuciCon & #Fauda S4 actress @InbarLavi - but what's with “photo of post author Tom playfully dubbing him ‘Superman’”🙄honestly, I really am Superman🤓😂
@TimeBeRealMan 14.02 21:18
🪩🪞Eden Golan - Mirror of a Mirror🪞🪩
@TimeBeRealMan 13.02 06:24
🩵🌊Tatiana Kurtukova - Татьяна Куртукова: Blue Water - Синяя вода🌊🩵
@TimeBeRealMan 12.02 04:06
🌳🎶Tatiana Kurtukova - Татьяна Куртукова: Matushka - Матушка🎶🌳
@TimeBeRealMan 07.02 17:02
🎶Metallica & Lucie Silvas – Nothing Else Matters🎶 @Metallica @LucieSilvas @KirkHammett @LarsUlrich @RobertTrujillo I sometimes get asked about the music synchronization video edits I make; for people interested in project implementation details, here are a few insights. This is a music synchronization video edit of two separate live performances of “Nothing Else Matters” by Metallica and Lucie Silvas. Both are performed in violin orchestra arrangement. Manually edited music synchronization video edits incorporate artistic concepts and creative design solutions. I use VSDC, which is a wonderful gratis video & audio editor. I have no “automated syncing” gizmo, synchronization is done by ear, i.e. I find the approximate sync offset, then move one video object one position increment at a time in either direction, listen & repeat until it sounds right. When both performers sing to a recorded backing track that is identical in key & speed it is easier to synchronize, but if one sings a capella or performs live, tweaks are required – and especially so when both are live performances by two different artists. Metallica tune their instruments two semitones lower for studio recordings and one semitone lower for live performances. I dropped Lucie’s musical key by one semitone to match theirs. They performed at different speeds. Lucie’s presentation is slower. I dropped Metallica to 97% and raised Lucie to 109% throughout, except to 105% for the closing segment so her final “matters” and Kirk’s final guitar note happen simultaneously. Finding the optimum adjustment parameters took experimenting because changing the speed of only one video when speeds are so far apart looks & sounds unnatural and rarely syncs up well. They did not perform the song with the same segment sequence, so I moved segments around to accommodate this, overlaid one segment with different lyrics mid-song and also the closing segment. During live performances people vary vocal timing and intonation and if sung lyrics were used for synchronization the music would be totally off. Synchronization is therefore by music. Most sung lyrics match up closely, but not all - that is OK, sung lyrics are not supposed to sound perfectly aligned as they would in actual duet performances, rather the point of making music synchronization edits is for it to be notable that they are separate performances which have been merged to create a synergy effect. The volume level in the Metallica video is lower. I raised it. The iconic guitar segment had to stay all Metallica. I faded over the break frames in Lucie’s video and smoothed the Metallica video audio to compensate for the mute audio from Lucie’s video during this segment. I adjusted both videos for hue, tone & saturation to harmonize the color spectrum. As no Metallica & Lucie Silvas version of this song exists, there is no cover image either, so I made one for the intro/outro frames. Etiquette-appropriate crediting is one reason, it is also one of my pet peeves when videos playing on loop jump abruptly from final frame to first. For reference, I append both base videos as reply post. Like millions of people across the world, I love this song and its profoundly meaningful lyrics. I trust you do as well and hope you enjoy this version.
@TimeBeRealMan 06.02 23:02
🍓🍷Strawberry Wine🍷🍓performed live by @DeanaSings at the Grand Ole @Opry in 2013 and in 1998 with @MatracaBerg🎼😃
@TimeBeRealMan RT von @TimeBeRealMan 31.12 17:55
Romi Gonen’s brave and extraordinary testimony that needs to be heard
@TimeBeRealMan RT von @TimeBeRealMan 22.12 04:14
Eden Yerushalmi speaking with police by phone as she was hunted by “pa!estynians” on 07OCT23; Eden was subsequently abducted to Gaza, held captive in horrific abuse & deprivation, starved to 36kg and murdered by “pa!estynians” on 29AUG24 … may her blood & suffering be avenged
🇩🇪 Übersetzung
RT von @TimeBeRealMan: Eden Yerushalmi telefoniert mit der Polizei, als sie am 7. Oktober 2023 von „pa!estynians“ gejagt wurde; Anschließend wurde Eden nach Gaza entführt, unter schrecklichen Misshandlungen und Entbehrungen gefangen gehalten, auf 36 kg ausgehungert und am 29. August 24 von „Pa!estynianern“ ermordet … Möge ihr Blut und Leiden gerächt werden
@TimeBeRealMan RT von @TimeBeRealMan 15.12 00:30
Ori Danino, Carmel Gat, Hersh Goldberg-Polin, Alex Lubanov, Almog Sarusi and Eden Yerushalmi together & alive in tehrohr tunnels beneath Gaza in December 2023 on 29th of August 2024 – after nearly 11 months of being held captive, starved, abused – these six precious souls were mercilessly slaughtered by their “pa!estynian” tormentors in retaliation for the successful rescue of Bedouin hostage Elkadi a few days prior and as “message” to deter future hostage rescue attempts may their suffering and murders be avenged may the world wake up to the barbaric evil that is the “pa!estynian cause”
🇩🇪 Übersetzung
RT von @TimeBeRealMan: Ori Danino, Carmel Gat, Hersh Goldberg-Polin, Alex Lubanov, Almog Sarusi und Eden Yerushalmi zusammen und lebend in den Rohrtunneln unter Gaza im Dezember 2023 Am 29. August 2024 – nach fast elf Monaten Gefangenschaft, Hungersnot und Misshandlung – wurden diese sechs kostbaren Seelen von ihren „pa!estynischen“ Peinigern gnadenlos abgeschlachtet, als Vergeltung für die erfolgreiche Rettung der Beduinen-Geisel Elkadi einige Tage zuvor und als „Botschaft“, um zukünftige Geiselbefreiungsversuche abzuschrecken mögen ihre Leiden und Morde gerächt werden Möge die Welt sich des barbarischen Übels bewusst werden, das die „pastynische Sache“ ist.
@TimeBeRealMan RT von @TimeBeRealMan 25.09 00:23
☾⋆ ALEXIA EVELLYN – hold on ⋆☽ ✨"never give up on love, never give up on trust”✨ X IG FB TT ➡️ @aalexiaevellyn stream ➡️https://alexiaevellyn.lnk.to/holdon YT ➡️https://www.youtube.com/watch?v=kvfG1DChN0w ༺༻ Does this song sound familiar to you? This song came to me as very strong dream, a prophecy where I saw and touched everything I sing in these lyrics with my own hands🥀 I woke up from this sleep, as if in a daydream, without knowing what was reality and what was this other world. This dream also came as a reminder. A vivid reminder that I needed to believe again, at a time when I was about to give up on everything. These words have been echoing in me for a long time. They are like the red threads guiding me through an infinite labyrinth that leads me back to what I lost in the desert. At the bonfire of those who live, we sing together of a new world. Where freedom, justice and love are the law for everything that lives. ༺༻ Essa música te soa familiar? Essa música me veio como um sonho muito forte, uma profecia onde eu vi e toquei tudo que canto nessa letra com minhas próprias mãos 🥀 Acordei desse sono, como num devaneio, sem saber o que era realidade e o que era esse outro mundo. Esse sonho veio também como um lembrete. Um lembrete vívido que eu precisava para voltar a acreditar, num momento onde eu estava prestes a desistir de tudo. Essas palavras vem ecoando em mim a muito tempo. Elas são como fios vermelhos a me guiar num labirinto infinito que me leva de volta ao que perdi no deserto. Na fogueira dos que vivem cantamos juntas um novo mundo. Onde a liberdade, a justiça e o amor é lei para tudo que vive. ༺༻ Lyrics (English) We'll be dancing in the fire of the living – hey ya oh And a million sisters voices will be singing – hey ya oh And we’ll giving all we have to be receiving – hey ya oh Every word we share will count and be forgiving – hey ya oh Hold on, hold on Never give up on love Never give up on us Never give up on love, on us, on trust Dance the hurt away Dance it all away I want to feel the kiss and fall into the mystery – hey ya oh I want to fall with no regrets be who I wanna be – hey ya oh A star child that will scream with pure tranquility – hey ya oh Where we are running wild towards the sun and sing – hey ya oh Never give up on love Never give up on us Never give up on love, on us, on trust Dance the hurt away Dance it all away Mother’s words of wisdom As they crawl inside my system – saying – yeah, yes [As the ancients drums keep drumming To the beat of our calling saying yeah We are there] ༺༻ Lyrics (tradução em português) Estaremos dançando no fogo dos que vivem E um milhão de vozes das minhas irmãs estarão cantando E daremos tudo o que temos para receber E cada palavra que compartilharmos contará e será de perdão Aguente firme, aguente firme Nunca desista do amor Nunca desista de nós Nunca desista do amor, de nós, da confiança Dance para afastar a dor Dance para afastar tudo Eu quero sentir o amor e cair no mistério Eu quero cair sem arrependimentos, ser quem eu quero ser Uma criança das estrelas que cantará com pura tranquilidade Onde corremos soltos em direção ao sol e cantamos livres Nunca desista do amor Nunca desista de nós Nunca desista do amor, de nós, da confiança Dance para afastar a dor Dance para afastar tudo Palavras de sabedoria de mãe Enquanto elas andam dentro do meu sistema – dizendo – sim, sim [Enquanto os tambores antigos continuam rufando Ao ritmo do nosso chamado dizendo sim Estamos lá] ༺༻ Video Credits: Directed by Andherson Barcellos & Alexia Evellyn Dancers & Choreography // Bia Goulart, Flor Carrizo, Cuba (Corpo Espiral), Letícia Bergamo, Alexia Evellyn Director of Photography, Shot, Edited, Produced, Finalized and Photographed by Andherson Barcellos Editor // Anthony Barcellos Art Director, Costume Design, Production and Script // Alexia Evellyn Make up Artist for Red Alexia // Shaiane da Silveira Jewelery // MIMPPY Costume Execution // Evolução Eco Video Composition // Rodrigo Frederico Visual Effects // Fernando Vallon Story written by // Alexia Evellyn, Andherson Barcellos, Estêvão Queiroga Audio Effects Introduction // Lucas Mattiuzzo Colorist // Mia Lab - Júlia Noá (Color Grading), Marcelo Rodriguez APAN Drone Operator // Mateus Amorim Cameras, Lens and Light // Rede M4 Locadora Lens // Indie Cam Special Thanks to Lucas Morello & Amanda Serena Internal Location // AVIVA EWYA Visual identity // Apriil ‘Hold On' written by Alexia Evellyn, Michelle Leonard and Dillistone ‘Hold On’ produced by Max Cooke, Dillistone and Alexia Evellyn Musicians // Gabriel Moreira, Ari Colares, Federico Puppi, Alexia Evellyn Mixed by Christer André Cederberg Mastered by Robin Schmidt (P) & (C) 2024 MADE Records AS ༺༻
🇩🇪 Übersetzung
RT von @TimeBeRealMan: ☾⋆ ALEXIA EVELLYN – Moment mal ⋆☽ ✨„Gib niemals die Liebe auf, gib niemals das Vertrauen auf“✨ X IG FB TT ➡️ @aalexiaevellyn Stream ➡️https://alexiaevellyn.lnk.to/holdon YT ➡️https://www.youtube.com/watch?v=kvfG1DChN0w ༺༻ Kommt Ihnen dieses Lied bekannt vor? Dieses Lied kam mir wie ein sehr starker Traum vor, eine Prophezeiung, in der ich alles, was ich in diesen Texten singe, mit meinen eigenen Händen sah und berührte🥀 Ich erwachte aus diesem Schlaf wie in einem Tagtraum, ohne zu wissen, was Realität und was diese andere Welt war. Dieser Traum diente auch als Erinnerung. Eine lebendige Erinnerung daran, dass ich in einer Zeit, in der ich kurz davor war, alles aufzugeben, wieder daran glauben musste. Diese Worte hallten schon lange in mir wider. Sie sind wie die roten Fäden, die mich durch ein unendliches Labyrinth führen, das mich zurück zu dem führt, was ich in der Wüste verloren habe. Am Freudenfeuer der Lebenden singen wir gemeinsam von einer neuen Welt. Wo Freiheit, Gerechtigkeit und Liebe das Gesetz für alles sind, was lebt. ༺༻ Sind Sie mit dieser Musik vertraut? Es ist meine Musik, die wie ein sehr starker Sohn ist, ein Professor auf unserem Weg und ich werde dir sagen, dass ich nur einen einzigen Text mit meinen eigenen Händen singen muss 🥀 Das war so, als wäre es die Wahrheit gewesen, als wäre es wahr geworden, und als wäre es außerhalb der Welt gewesen. Esse sonho veio também como um lembrete. Um Ihnen klar zu machen, dass Sie sich entschieden haben, einen Kredit aufzunehmen, wird Ihnen in diesem Moment Ihr Wunsch erfüllt. Es werden immer mehr Dinge getan, und zwar in einem höheren Tempo. Als ich die Fios vermelhos, die mich ins unendliche Labyrinth führten, musste ich das Volta verlassen, damit ich nicht aufgeben konnte. Ich weiß nicht, wie wir gemeinsam auf der neuen Welt leben. In der Freiheit, in der Gerechtigkeit und in der Liebe, die mir zuteil werden, dass ich lebe. ༺༻ Liedtext (Englisch) Wir werden im Feuer der Lebenden tanzen – hey ya oh Und eine Million Schwesternstimmen werden singen – hey ya oh Und wir werden alles geben, was wir bekommen können – hey, oh Jedes Wort, das wir teilen, wird zählen und verzeihen – hey ya oh Warte, warte Gib niemals die Liebe auf Geben Sie uns niemals auf Gib niemals die Liebe, uns, das Vertrauen auf Tanze den Schmerz weg Tanze alles weg Ich möchte den Kuss spüren und in das Geheimnis versinken – hey ya oh Ich möchte fallen, ohne es zu bereuen, sei, wer ich sein möchte – hey ya oh Ein Sternenkind, das mit purer Ruhe schreit – hey ya oh Wo wir wild der Sonne entgegenrennen und singen – hey ya oh Gib niemals die Liebe auf Geben Sie uns niemals auf Gib niemals die Liebe, uns, das Vertrauen auf Tanze den Schmerz weg Tanze alles weg Mutters weise Worte Während sie in mein System kriechen und sagen: Ja, ja [Während die Trommeln der Alten weiter trommeln Im Takt unserer Berufung sagen wir „Ja“. Wir sind da] ༺༻ Songtext (Übersetzung auf Portugiesisch) Estaremos dançando no fogo dos que vivem Eine Million Stimmen haben die ersten drei Monate gesungen Wir trauen uns, Sie zu empfangen Und jedes Mal, wenn die Kompartimente miteinander in Berührung kommen, ist das nicht der Fall Aguente firme, aguente firme Nunca desista do amor Nunca desista de nós Nunca desista do amor, de nós, da confiança Tanz para afastar a dor Tanzen Sie für alles, was Sie brauchen Eu quero sentir o amor e cair no mistério Eu quero cair sem arrependimentos, ser quem eu quero ser Ich wette, es ist so schlimm, dass ich in purer Ruhe entspannen kann Onde corremos soltos em riche ao sol e cantamos livres Nunca desista do amor Nunca desista de nós Nunca desista do amor, de nós, da confiança Tanz para afastar a dor Tanzen Sie für alles, was Sie brauchen Palavras de Sabedoria de Mãe Viele sagen, dass ich mein System brauche – sim, sim [Enquanto os tambores antigos Continam rufando Ao ritmo do nosso chamado dizendo sim Estamos lá] ༺༻ Video-Credits: Regie: Andherson Barcellos und Alexia Evellyn Tänzer und Choreografie // Bia Goulart, Flor Carrizo, Kuba (Corpo Espiral), Letícia Bergamo, Alexia Evellyn Kameramann, Aufnahme, Schnitt, Produktion, Finalisierung und Fotografieren von Andherson Barcellos Herausgeber // Anthony Barcellos Art Director, Kostümdesign, Produktion und Drehbuch // Alexia Evellyn Visagistin für Red Alexia // Shaiane da Silveira Schmuck // MIMPPY Kostümausführung // Evolução Eco Videokomposition // Rodrigo Frederico Visuelle Effekte // Fernando Vallon Geschichte geschrieben von // Alexia Evellyn, Andherson Barcellos, Estêvão Queiroga Einführung in Audioeffekte // Lucas Mattiuzzo Kolorist // Mia Lab – Júlia Noá (Farbkorrektur), Marcelo Rodriguez APAN Drohnenbetreiber // Mateus Amorim Kameras, Objektiv und Licht // Rede M4 Locadora Objektiv // Indie-Kamera Besonderer Dank geht an Lucas Morello und Amanda Serena Interner Standort // AVIVA EWYA Visuelle Identität // April „Hold On“, geschrieben von Alexia Evellyn, Michelle Leonard und Dillistone „Hold On“, produziert von Max Cooke, Dillistone und Alexia Evellyn Musiker // Gabriel Moreira, Ari Colares, Federico Puppi, Alexia Evellyn Gemischt von Christer André Cederberg Gemastert von Robin Schmidt (P) & (C) 2024 MADE Records AS ༺༻